Myriad is an ongoing composition for live modular synthesis that evolves with each performance. The piece unfolds as a continuous, semi-improvised stream, exploring shifting melodic patterns, timbral textures, and harmonic structures. Emphasizing the spectral dimension of sound, Myriad investigates the perceptual boundaries of listening and the potential for synaesthetic experience. The work has been presented at SKAIV (Stockholm, August 2024), the KS Jubilee Concert at Fylkingen (Stockholm, October 2024), the Gotland Composers Hall Concert at Kulturrum (Visby, April 2025), and the Ljuvågor Festival (Visby, May 2025).

Memory Margin is a composition for an octet ensemble. It was composed at Tonsättarskolan for Gotland Musiken, and performed in May 2025 at Ljudvågor Festival. The piece plays with the margin between form and formless, remembering and forgetting.

Conductor: Rei Munakata, Flute: Lars Linna, Clarinett. Lydia Holmlund, Bassoon: Alice Skagerfält-Quayle, Horn: Jonatan Olofzon, Horn: Anna Hederstedt, Trombone: Hjalmar Ljungberg, Tuba: ErikSkaterfält-Quayle, Contrabass: Joel Malmborg

Selenomania is a composition for 360 diffusion. takes inspiration from Jason Bahback Moghageh’s Mania Tabula, and his definition of the manic dispositions for the nocturnal. Using tools such as granular processing and spectral analysis, it explores different acousmatic states loosely based on night-time and musical “nocturnals”.

It was presented at Audiorama at FROST Festival (Visby), January 2025. Ljudhavet på Dalslåged, with the support of Levande Musik, May 2025. Ljudvågor Festival (Visby), May 2025.

Companion is a collection of music written for Hana Lee Erdman’s dance piece Companion, performed at MDT Stockholm in March 2022.

Moth Room “"Moth Room is an apt title for SMC's debut collection of music. The sounds she uses are fragile but highly animated, threatening to disappear as soon as they occur, and often returning with the manic energy that makes this tape so intriguing. Moth Room channels the understated music of Woo and Colleen through a diverse but subtle palette of sounds, which spans to include the fervent hand-picking of Spanish guitar music. These pieces were recorded between Scotland and Sweden, but have their sights set on the Italian province of Perugia. As she recalls her past in this place using a limited instrumentation, SMC gives the working of memory a musical form. Undulating synthesisers and softly convulsing rhythms resurface across the EP, sometimes as echoes in an intricate guitar line."